#preferable death

[captainpirateface]

If you could, John, what kind of death would you like?

Me:

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[decafdoodlez]

Flirting vs harassment (literally) 👁️👁️

Which Ren do you prefer? 🦊🧡

[hinamie]

色彩 [Shikisai]

[franollie]

“you say i killed you— haunt me then”

[rie-092]

Hi, here I reader an he Creep lycris and (i hopenits okay 2 characters) but I love the idea of the Eclarcks vrothers being ivsessed woth Penelope's maid! Reader.

And they tried to get notice, in a bad or good way. Reader takes care and actually loves Penelope and just want her mistress tk be happy uu

EVENT'S ENTRY OO2 : CREEP

[ yandere! eckhart brothers ]

note: here's the link of the event (⁠◕⁠ᴗ⁠◕⁠✿⁠)!

let's start with derrick. he was the first one who noticed you. let's just say that you and him was childhood friends since you started working in the eckhart estate since you were a child.

at first, to be honest. derrick finds you annoying. but seeing you being happy and friendly towards his little sister. it struck something inside him.

and that was when he realized, ah, damn you. he was falling hard.

expect that derrick, despite of being prideful, will be very needy. hell, you're not even lovers but he will start demanding for your attention.

he will start calling for you everyday, despite of being busy with your work. and what's his reason? simple, because he wanted to ‘play’ with you.

well, technically you guys just spend times while reading books or drinking teas. but for derrick it was everything.

and that was when reynold eckhart entered the scene.

unlike his calm and collected older brother, reynold was fucking cute, i mean, a mess when he's in front of you.

it all started with a small crush and that was when he started following you around like a puppy. dude, this guy really loves headpats and compliments. so you better shower him with compliments!

he likes playing with you and yvonne! but it's just annoying to have derrick playing the dad role while you play the mom role when yvonne wants to play house.

since they were children. they haven't really realized that their affection for you were— how will i describe it? darker? or unhinge?

derrick was the calm and calculated one while reynold was the violent and cranky one. to be honest, they are not really jealous to each other. sure, they want your attention for themselves but— nah, nah, in derrick's eyes, reynold was too childish to be your type. while in reynold's eyes, his brother is too sophisticated to fall for you.

expect that they will be more handful when yvonne disappeared. they will be more clingy. because reynold wants you to comfort him while derrick was preventing you to disappear like yvonne.

and that was when penelope entered the scene. when the duke was finding a suitable maid to serve penelope. you were with derrick that time. he saw how your eyes shone as you looked at penelope.

no, no, no! he kept telling to himself that you only reacted like that because you miss yvonne. there's no way you find that thing adorable!

but the next day, he was surprised when he was informed by his father that you became penelope's personal maid. how dare her—

what about reynold? well, he doesn't really give a fuck. sure, he still hates penelope taking his sister's place on their family. but seeing you actually enjoys serving penelope.

honestly, derrick and reynold was really different when it comes to you. reynold was the soft one, heck, he won't hurt anyone or you physically and verbally if you give him the attention that he wanted. but once he saw you paying attention to anyone that is not him or derrick? you should expect to see his violent side.

while derrick is the unhinge one. he doesn't care who it was, if you don't pay any attention to him. the hell, this guy would lose it. i mean, the last time you went to the festival with your male friend. he tortured that thing in front of you (and hell, he was so close on doing that to penelope if you're not that overprotective over her).

and you? who is stuck in the middle of this two brothers who is like a ticking bomb? you only want one thing. and that is for penelope to be happy.

but unknown to you, penelope actually wants you as much as her siblings wanted you. but don't worry! she is willing to share you with reynold. but not with derrick.

￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣

“ we want you to notice when we're not around, (name). ”

[thatonequeeraunt]

[rebloggerandy]

the killing moon, will come too soon.

the killing time, unwillingly mine.

[myoswu]

HIGHSCHOOL AU !!

[shepscapades]

I think it’s safe to say Ranchers Win These

(In the silence between the last two panels, there is a 20 page comic in my head filled with flashbacks of every moment Scott teased, scolded, or dismissed Jimmy—and every moment where Tango was instead kind, patient, and proud)

[femmeleatherface]

the love which i feel for the design of erik in phantom of the opera: the graphic novel. endless.

bonus:

[spocks-husband]

He is handing you his tiny and extremely violent son. He will only commit a few crimes. Take good care of him.

[darth-kote]

Palpatine [manipulatively]: boys, what's this all about?

Corrie Guard [surrounding him, blasters raised]: don't act like you don't know

Palpatine [directly to Fox]: cmon, my boy, call your dogs down

Fox [twitching]: alright, men, stand down.. I'll handle this one alone [ensues tearing the flesh from Palp's bones]

Corrie guard: that's our Fox'ika🥹💓🫡

[frostedpuffs]

every time someone makes a point to say that "Marinette doesn't wear makeup, she isn't like other girls" I want to SIGH because not only does Marinette Actually Wear Makeup in canon, it is exhausting that it is 2023 and people are still doing the "not like other girls" thing

[bellshazes]

i don't think the life series is "about" anything at all. it's not about survival or winning or player dynamics, or any theme. however i do think that the entire series - third life to present - is unified by a game design philosophy where all mechanics are engineered to disrupt the game as it has been played.

third life was initially pitched as "a[n ...] experiment" and its opening question was fundamentally how long can this last, which scar quickly proved was not long at all. it's easy to forget that it was not always a given that seasons would last approximately eight weeks and how the breakpoints of red/yellow violence would fall.

last life attempted to disrupt the established social norms by a) attempting to ban acting based on prior season's events and more importantly b) introducing social deduction mechanics which destabilized all alliances by default. similarly, although the ban on continuity never returned, double life's gimmick at its core is just another disruption of social dynamics. limited life iterates on last life's boogeyman dynamic while applying a different kind of time-limited pressure; secret and wild life are carousels of disruption to social play and "regular" or survival gameplay.

nevertheless players have defined the real rules of the game - the game-as-played which gives the series continuity - through their playing of it. both in spite of and because of the mechanical disruptions, conventions around sportsmanship and acceptable behavior are deeply entrenched. kills that are "illegal" by the written rules matter less than the player perception of them; the desire to invent social punishments for explicit infractions died with etho in the third life firing squad. players judge kill attempts as acceptable/impermissible by their relative status of reds vs. yellows, as the rudeness of ending someone's series early far outweighs the obvious strategic benefit of eliminating reds first. history persists, only as much as a given set of players negotiates it should. everyone should be along for the ride for as long as possible, but it will end.

ultimately life seasons are designed to make it difficult to play as you always have, and the players derive fun and drama from balancing their leaning into the gimmicks or into their habits. unfortunately this tension is deeply compelling and leads to wildly divergent opinions on what is "good" or "authentic" about a season or gimmick or episode because where the "good" tension is depends on the viewer, the point of view, the episode, etc.